The wall-piece Spiral is comprised by a body of work developed between 2002 and 2007. Presented for the first time in Beijing, China (NY Arts Beijing), it poses an arrived-at painterly dialogue is centred on an interaction between its compounds. May it be colour, shape resonances or high contrasts, each element stimulates others in order to create a visually dynamic situation that investigations along the years.

The whole piece presents a good variety of execution and formal stanzas. Yet, a very specific sense of continuity -provided mainly by the placement of its parts and the resonances they generate- triggers a sort of fluid conversation in which the compounds make sense only in relation to one another.


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